Est. 1895 · Built 1895-1897 for the Capital Traction Company's streetcar barn · Filming location for The Exorcist (1973) · Ceremonially recognized as a D.C. landmark, October 2015 · Formally designated a Historic Landmark by the D.C. HPRB, January 2019
The stairway was built between 1895 and 1897 as part of the Capital Traction Company's Union Station, a streetcar barn and turnaround on M Street NW designed by architect Waddy Butler Wood to consolidate four separate streetcar lines. Georgetown's terrain drops roughly 60 feet from Prospect Street to the Potomac waterfront, and the steps were cut into that hillside as a public pedestrian connector alongside the station, an engineering project that required moving more than 80,000 cubic yards of earth and building substantial retaining walls. Before 1973, Georgetown residents knew the 75-step stairway informally as the "Hitchcock Steps," after director Alfred Hitchcock's reputation for suspense.
That changed when William Friedkin filmed The Exorcist on location in Georgetown in 1973. Screenwriter William Peter Blatty, a 1950 Georgetown graduate, based his novel on a 1949 exorcism case he had learned about as a student. For the film's climax, the production padded the steps in rubber and built a false extension onto a house at the top of the stairs so Father Damien Karras's death fall would appear to begin from an upper window; the stunt was filmed twice.
The steps' film fame eventually outgrew their transit-history origins. On Halloween weekend in 2015, Mayor Muriel Bowser held a ceremony — attended by Friedkin and Blatty — recognizing the stairway as an official D.C. landmark and unveiling a plaque at its base. The Historic Preservation Review Board followed with a formal landmark designation in January 2019, covering the steps, the retaining wall, and the former streetcar station; the board's report specifically noted that the movie's fame, on its own, did not meet the standard for historic designation, and based the listing on the station's Romanesque Revival and Beaux-Arts architecture and its role as an early consolidated transit hub.
Sources
- https://en.wikipedia.org/wiki/Exorcist_steps
- https://www.nps.gov/places/capital-traction-company-union-station-exorcist-steps.htm
- https://dcist.com/story/19/01/30/the-exorcist-steps-are-now-a-historical-landmark-but-not-because-of-the-exorcist/
- https://www.trolleytours.com/washington-dc/exorcist-steps
- https://www.foxnews.com/politics/d-c-officially-recognizes-exorcist-stairs
- https://alexmatsuo.com/the-ghost-who-haunted-the-site-of-the-exorcist-house/
Unlike most sites in this corpus, the Exorcist Steps have no independent haunting legend — no reported apparition, no name attached to a death at the location itself. Their dark-tourism draw is entirely downstream of William Peter Blatty's 1971 novel and Friedkin's 1973 film, both loosely based on a 1949 case in which a Maryland family sought a Catholic exorcism for their adolescent son, a case Blatty encountered as a Georgetown student. The film relocated its fictional events to Georgetown and used the steps for Father Karras's climactic fall, cementing an association that had nothing to do with any real event at the stairway.
That borrowed fame has nonetheless produced a genuine local tradition. The steps draw large Halloween crowds every year, and Georgetown University students have long treated running the full 75-step flight as a rite of passage, particularly around Halloween. Nightly ghost-tour groups stop at the steps as a fixture of Georgetown itineraries, though the stories told there (a reclusive 18th-century homeowner, a nanny's rules still enforced after her death, a razed 1940s cottage) belong to nearby houses rather than to the stairway itself. The steps function less as a haunted site than as the neighborhood's designated stage for other people's ghost stories.
Media Appearances
- The Exorcist (film, 1973)