HauntBound archive · catalog record
Reported phenomena — as catalogued
1925 Italian Renaissance vaudeville-and-cinema palace in downtown Astoria, OR, where staff and performers report 'Handsome Paul' — a white-tuxedoed apparition — alongside ghosts in the women's restroom and lobby.
1203 Commercial St, Astoria, OR 97103
Research updated May 2026
Age
All Ages
Cost
$$
Ticket prices vary by event; October paranormal investigations ('Ghostoria') are ticketed separately. Box office Tuesday-Saturday 2:00-5:30pm and two hours before curtain.
Access
Wheelchair OK
Restored 1925 theater with accessible main entrance and orchestra seating; balcony accessed by stairs.
Equipment
No Photos
Est. 1925 · First major theater rebuilt after 1922 Great Astoria Fire · National Register of Historic Places (1984) · Italian Renaissance Theater Architecture · Pacific Northwest Vaudeville Circuit
The Great Astoria Fire of December 1922 destroyed approximately 30 city blocks of downtown Astoria, leveling the original Astoria Theatre and most of the commercial district. Reconstruction began almost immediately, and the Liberty Theatre — opened in April 1925 — was the first new theater built after the fire and a symbol of the city's recovery.
Designed by the Portland architectural firm Bennes and Herzog for the prolific Northwest theater operators Claude Jensen and John von Herberg, the building presented an Italian Renaissance facade and an elaborate auditorium decorated with twelve oil-on-canvas murals of Venetian canal scenes painted by local artist Joseph Knowles. The 1,300-seat theater was equipped for both vaudeville and silent (later sound) film. In its early decades, the Liberty hosted Jack Benny, Guy Lombardo, Duke Ellington, and other touring performers.
The theater operated continuously through the mid-20th century as a movie house, falling into decline by the late 20th century. A nonprofit group, the Liberty Theatre, Inc., undertook a multi-phase restoration beginning in 2000 that returned the building to use as a performing-arts venue and event space, and the murals and other interior detail were stabilized and conserved.
The building was registered on the National Register of Historic Places in 1984 under the name 'Astor Building' and contributes to the Astoria Downtown Historic District. The Liberty today hosts touring music acts, classical-music programming, film series, community theater, and its annual October Ghostoria paranormal-investigation events.
Sources
The Liberty Theatre's signature ghost is 'Handsome Paul,' a male apparition consistently described as wearing a white tuxedo and Panama hat. According to Clatsop County Historical Society accounts collected by Clementine's Guest House and Oregon Haunted Houses, cast and crew across multiple eras have reported seeing him seated in the auditorium during rehearsals, walking the aisles, or appearing briefly in the lobby. He is also blamed for nighttime sounds: doors slamming when the building is empty, doorknobs rattling, and the soda fountain and popcorn machine running on their own after closing.
A secondary apparition described as an older woman has been reported in the women's restroom by patrons during performances. Two figures in top hats are reported near the theater's small elevator, framed in regional ghost-tour accounts as Prohibition-era patrons or theater operators.
Reports across these sources are consistent in tone — non-threatening, almost performative, in keeping with the venue's vaudeville heritage. The Liberty has formalized its paranormal reputation through its annual October 'Ghostoria' investigation events, which give the public after-hours access to the basement, backstage, and the auditorium with paranormal investigators.
The Liberty is a fixture of Astoria's haunted-walking-tour circuit and appears in regional roundups including Oregon Coast Weekend's Haunted Oregon Coast Places.
Notable Entities
Annual ticketed October paranormal investigation events hosted inside the historic theater, organized by Liberty Theatre staff with paranormal investigators. Includes after-hours access to backstage, basement, and the women's restroom and lobby where most reports cluster.
Attend a performance or one of the periodic public tours of the Italian Renaissance auditorium, including Joseph Knowles's 12 oil-on-canvas Venetian murals and the restored vaudeville-era lobby.
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Scranton, PA
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