Est. 1934 · Designed by LaBeaume & Klein · Part of the St. Louis Municipal Auditorium and Opera House complex · Opened as Kiel Opera House (1934), Peabody Opera House (2011), Stifel Theatre (2018)
Construction on the St. Louis Municipal Auditorium and Opera House complex began in 1932 under architects Louis LaBeaume and Eugene S. Klein. The complex was completed in 1934 and contained two civic performance halls under one roof: the 9,300-seat Convention Hall (later renamed Kiel Auditorium) and the 3,100-seat Municipal Opera House (later renamed the Kiel Opera House). The opera house facade extends 322 feet along Market Street, anchoring one of St. Louis's most significant civic-buildings groupings.
The Kiel Opera House operated continuously through the mid-20th century before declining attendance and competition from newer suburban venues forced its closure in 1991. The adjacent Kiel Auditorium was demolished and replaced by the new Kiel Center arena (now Enterprise Center) in 1994, but the opera house was preserved. After two decades dark, the opera house was rehabilitated under a partnership with the City and reopened in 2011 as the Peabody Opera House. In 2018 the venue was rebranded the Stifel Theatre under a new naming-rights agreement with Stifel Financial Corporation.
Today the Stifel hosts a year-round schedule of touring Broadway productions, concerts, comedy, and other performances. It is operated by Live Nation and remains one of St. Louis's principal downtown performance venues.
Sources
- https://en.wikipedia.org/wiki/Stifel_Theatre
- https://www.stifeltheatre.com/history
- https://www.ksdk.com/article/life/holidays/spooky-stl/stifel-theatre-st-louis-ghost-rachel-haunted/63-e930c993-982f-428f-93b5-91bf0ea4aca9
- https://stlghosts.com/the-spirits-of-the-stifel-theatre/
Phantom vocal warm-up scales in empty balconyLayered voices attributed to former performersPhantom footsteps across empty stage
KSDK has produced multiple segments featuring Stifel staff describing 'Rachel,' a female presence said to be heard vocalizing in the balcony when the building is otherwise empty. Staff most often report her singing warm-up scales — the kind of exercise a trained vocalist would do before a performance — which is unusually specific compared with generic 'ghostly singing' lore at other theatres. The St. Louis Paranormal Research Society has publicly endorsed the account and conducts investigations at the venue.
Staff offer one specific historical context, reported in KSDK: prior to the 1932 construction of the Municipal Auditorium complex, a woman was reportedly stabbed to death by her husband in a bar near the future theatre site. Staff associate that documented (though not independently verifiable in our research) event with Rachel. Additional voices are sometimes reported layering with Rachel's, which staff attribute to former performers.
We present this as staff folklore rather than verified paranormal investigation. The Rachel account is unusual in combining a consistent named presence with a specific (if hard-to-source) historical anchor and with named investigators (the St. Louis Paranormal Research Society) endorsing the narrative; the lore is confined to the venue's interior and is mediated through staff interviews rather than independent direct investigation reports.
Notable Entities
Rachel (singer-spirit, associated by staff with a pre-1932 bar homicide)
Media Appearances
- KSDK 'A ghost named Rachel is haunting Stifel Theatre'
- St. Louis Paranormal Research Society Facebook profile