Est. 1964 · Grant County Seat · Reconstruction-Era Violence · Mid-Century Greek Revival
Sheridan was selected as the seat of newly-formed Grant County, Arkansas in 1869, four years after the end of the Civil War. The county was carved from parts of Saline, Hot Spring, and Jefferson counties and named for President Ulysses S. Grant.
The first courthouse, built in 1871 at a cost of $3,500, was destroyed by fire on March 13, 1877. The fire took most of the early county records with it. A temporary courthouse was set up at the corner of Center and Oak streets while a replacement was built. A second courthouse was completed in 1880 for $1,680. A brick replacement followed in 1909 at a cost of $55,340 but was condemned as structurally unsafe during the 1960s.
The current Grant County Courthouse was dedicated on July 12, 1964. The building is an example of mid-century Greek Revival public architecture and preserves stone corner markers salvaged from the 1910 building. It houses the first public clock in the county.
The Reconstruction-era violence around Sheridan is part of the historical record. A group remembered locally as the Graybacks is held responsible for at least three documented incidents in the late 1860s, including the hanging of Richard Rhodes, the hanging of James Kennedy alongside a man named Stanfield (both of Dallas County) on the night of August 11, 1866, and the burning death of Elizabeth White. These were vigilante killings, not legal executions, and they occurred during the broader pattern of Reconstruction-era racial and political violence across central Arkansas.
Sources
- https://encyclopediaofarkansas.net/entries/sheridan-892/
- https://encyclopediaofarkansas.net/entries/grant-county-771/
- https://encyclopediaofarkansas.net/media/grant-county-courthouse-15619/
- https://encyclopediaofarkansas.net/entries/richard-rhodes-hanging-of-13488/
ApparitionsPhantom footstepsResidual haunting
Folklore around the Grant County courthouse in Sheridan describes two recurring patterns. The first is visual: apparitions seen in the upper windows of the building, particularly after-hours, by people crossing or driving the square. The second is auditory: footsteps echoing down the empty halls when the building is closed. Both patterns are reported in regional aggregator listings rather than in journalistic or historical-society sources.
The most cited individual figure in courthouse-square lore is Ernze Mabel Orr, called Mabel locally. The accounts associate her with a comedy and opera duo she performed in with her husband John, who is described in folklore as having a violent temper. The square appears in the lore as the place her presence is most often reported. The available historical record does not closely document the Orrs or tie them concretely to courthouse-square events; we treat the Mabel attribution as folklore rather than as established history.
The square's documented history of Reconstruction-era hangings — the Graybacks killings of the late 1860s — provides the substrate that haunting accounts in the area tend to attach to. Whether the apparition reports descend from those events, from a vaudevillian performer's later misfortunes, or from the ordinary atmospheric pull of a small-town courthouse square at night, the accounts are quiet rather than dramatic. No documented investigation or paranormal program has produced extended evidence at the site.
Notable Entities
Mabel Orr (folklore)