Alabama Theatre History Tour
Tours of the 1927 movie palace are offered periodically by Birmingham Landmarks; check their schedule for backstage and Mighty Wurlitzer organ access.
- Duration:
- 1.3 hr
1927 Paramount movie palace and home of the Mighty Wurlitzer organ — staff still credit former house organist Stanleigh Malotte for footsteps and a 1986 stage apparition.
1817 3rd Avenue North, Birmingham, AL 35203
Age
All Ages
Cost
$$
Public access via ticketed shows, organ concerts, and occasional tours. Ticket prices vary by event.
Access
Wheelchair OK
Restored 1927 movie palace; mainline-floor seating accessible, balcony requires stairs.
Equipment
No Photos
Est. 1927 · National Register of Historic Places · 1927 Paramount-Publix movie palace · Original Mighty Wurlitzer organ in place
The Alabama Theatre opened on December 26, 1927, as the flagship of Paramount-Publix's Southeast circuit. Designed by Chicago architects Graven & Mayger in an opulent Spanish-Moorish vocabulary, it seated approximately 2,500 patrons (now closer to 2,200 after renovations) and served as the region's premier first-run movie house through the mid-20th century.
At its construction the theatre was outfitted with a four-manual Wurlitzer pipe organ, marketed at the time as the 'Mighty Wurlitzer,' to accompany silent films and stage shows. Stanleigh Malotte served as the theatre's house organist from 1936 to 1955, and his programs were broadcast on local radio.
As movie attendance declined, the Alabama survived through the late 20th century by hosting concerts, special screenings, and Mighty Wurlitzer organ programs. In 1987 Birmingham Landmarks acquired the building and undertook a multi-decade restoration that returned the lobby chandeliers, plasterwork, and seating to their 1927 condition. Cecil Whitmire served as the theatre's organist and operations manager during much of this restoration period.
Today the Alabama Theatre is the centerpiece of Birmingham's downtown theater district and operates as a live-performance and special-event venue. It is listed on the National Register of Historic Places. The Mighty Wurlitzer continues to be played at silent-film accompaniments and dedicated organ concerts.
Sources
The Alabama Theatre's resident haunting is attributed to Stanleigh Malotte, the theatre's house organist from 1936 to 1955. According to US Ghost Adventures and the Bhamwiki entry on Malotte, the central incident occurred in 1986, when Cecil Whitmire (the theatre's organist and operations manager during its 1980s restoration) was rehearsing with a singer for an upcoming performance. As they practiced, both reportedly observed a full-body male apparition cross the empty stage from one wing to the other before vanishing. Whitmire identified the figure as Malotte.
Subsequent reports recorded by staff and visitors include windows that close and lock by themselves, doors that unlock without anyone present, and phantom footsteps in the empty auditorium during late-night cleaning and maintenance hours. The Patch.com article on Birmingham hauntings and the Great American Ghost Tour site both treat the theatre as one of the city's principal music-anchored hauntings — a residual or intelligent presence linked to a specific performer rather than a tragic event.
No death is documented as having occurred inside the building; Malotte left the theatre in 1955 and died years later. The haunting framework is therefore one of attachment rather than violent anchor — a former organist whose music was his life returning to the stage where he played.
Notable Entities
Tours of the 1927 movie palace are offered periodically by Birmingham Landmarks; check their schedule for backstage and Mighty Wurlitzer organ access.
View the original 1927 marquee and Spanish-Moorish facade from 3rd Avenue North in the heart of Birmingham's theater district.
Every HauntBound history is researched from documented sources. We clearly separate verified historical fact from paranormal folklore.
Birmingham, AL
The Lyric Theatre opened in January 1914 as a B.F. Keith vaudeville house in downtown Birmingham. Designed specifically for vaudeville acoustics, it seated approximately 1,500 patrons and was notable as one of the first Southern theaters to admit Black and white audiences to the same performance — though with the segregated seating typical of the era. The theater closed in the late 20th century and underwent an extensive restoration that culminated in its January 2016 reopening as a live-performance venue, operated by Birmingham Landmarks, Inc.
Joliet, IL
The Rialto Square Theatre opened May 24, 1926, designed by Chicago firm Rapp & Rapp for the six Rubens brothers. Its Neo-Baroque interior — modeled in part on the Hall of Mirrors at Versailles — earned it a place on the American Institute of Architects's '150 Great Places in Illinois' and a listing on the National Register of Historic Places.
Dallas, TX
The Majestic Theatre opened April 11, 1921 on Elm Street in downtown Dallas as the flagship vaudeville house of Karl Hoblitzelle's Interstate Amusement Company. Designed by atmospheric-theater architect John Eberson in Renaissance Revival style, it became the first Dallas building listed on the National Register of Historic Places in 1977. The City of Dallas now operates the venue as a performing-arts space.