Est. 1937 · Greyhound Bus Depot History · Minneapolis Music History · Purple Rain Film Location · Prince Legacy
The building at 701 First Avenue North was erected in 1937 as the Greyhound Bus Depot, designed in the Streamline Moderne style that characterized forward-looking civic architecture of the late New Deal era. The depot featured air conditioning, shower rooms, and public telephones — amenities that made it a genuine respite for Midwest travelers. The exterior was faced with shiny blue-glazed brick and white trim; the interior floor was checkered terrazzo, still visible today. Greyhound operated from the building until 1968, when the bus station relocated to 10th Street.
Allan Fingerhut, heir to the Fingerhut mail-order catalog fortune, invested $150,000 to convert the facility into a live music venue. The Depot opened April 3, 1970, with Joe Cocker and Mad Dogs and Englishmen performing. The club cycled through identities — Uncle Sam's from 1972, Sam's from 1980 — before settling as First Avenue in 1981. The former cafeteria became 7th Street Entry, a 250-capacity space for emerging acts that opened March 21, 1980.
The club's cultural apex came through its relationship with Prince, who performed nine full concerts there before his 2016 death and filmed his 1984 film Purple Rain almost entirely on the premises during late 1983. Following Prince's death, artist Peyton Scott Russell painted his exterior star gold. Over 400 stars now line the building's exterior, honoring performers across the club's history.
First Avenue remains independently operated and stands among the longest-running independent clubs in the United States.
Sources
- https://en.wikipedia.org/wiki/First_Avenue_(nightclub)
- https://www.mprnews.org/story/2017/11/07/books-first-avenue
- https://www.americanghostwalks.com/articles/minneapolis-ghosts-the-spirits-of-first-avenue
ApparitionsPhantom soundsHair pullingObject movement
The most persistent account at First Avenue involves a woman in a green jacket. Multiple staff members and visitors have reported seeing a female figure dancing in the Mainroom — she appears entirely normal until observers realize she has no legs below the knee. Others have encountered a woman standing silently in the stalls of the women's restroom on the upper level.
The narrative explanation for this figure has two competing versions. The older story links her to the building's Greyhound depot years: a woman waiting for a husband returning from World War II who, on learning of his death in combat, took her own life in the women's restroom. The timeline in some accounts shifts to Vietnam-era clothing — green fatigues with bell bottoms rather than a 1940s army jacket — suggesting the story has migrated across different historical moments as it's been retold. A former general manager, Jack Meyers, discovered approximately 12 feet of sealed, empty space behind a wall in the old Record Room, complete with a booth-like structure, fueling speculation about a hidden death site. No newspaper coverage or historical records corroborate any on-premises suicide.
The secondary figure is Flippy — a less defined presence known primarily for moving bar stools. Staff arriving before opening have heard the unmistakable sound of bar stools being lifted and repositioned, though the room is empty. The origin of the name is not documented in sources.
A psychic who visited the venue with a paranormal radio host reported seeing the woman's spirit carrying visible signs of trauma, and shortly after, an employee confirmed to the group that she regularly experienced hair-pulling in the upper restroom area. The account appears in American Ghost Walks' documentation of the location.
Notable Entities
Woman in the Green JacketFlippy
Media Appearances
- American Ghost Walks Minneapolis Tour