Est. 1922 · National Historic Theater · French Quarter Architecture · Spanish Colonial Design · New Orleans Cultural Heritage
Le Petit Theatre was established in March 1916, when a small group of theater-minded New Orleanians began staging productions in a member's private drawing room. As audiences grew, the group moved to the second floor of the Pontalba Buildings on St. Ann Street, paying $17.50 per month for the space. Irish playwright Lord Dunsany, visiting the city, formally inaugurated the new playhouse.
In 1922, the organization purchased property at the corner of St. Peter and Chartres Streets — one block from Jackson Square — and commissioned architect Richard Koch to design a permanent theater building. Koch designed the structure in authentic Spanish Colonial style. The 1922 construction incorporated and renovated a surviving colonial-era building at the corner, believed to date to approximately the 1790s, which became the most architecturally prominent element of the completed structure.
For much of the 20th century, Le Petit was considered one of the leading community theaters in the country. A 1963 reconstruction of the corner building added reception areas, offices, dressing rooms, and a smaller secondary performance space.
Financial difficulties in 2009 led to staff layoffs and season cancellations. The crisis resolved in June 2011 when restaurateur Dickie Brennan purchased 60 percent of the building for approximately $700,000 in debt retirement. Brennan opened Tableau restaurant in the ground-floor space facing Jackson Square while the theater retained its original stage and performance areas. The theater continues to stage regular productions under professional leadership.
The building's location at the intersection of St. Peter and Chartres Streets places it at the geographic center of the French Quarter's entertainment district, steps from Bourbon Street and the Mississippi River.
Sources
- https://en.wikipedia.org/wiki/Le_Petit_Theatre_du_Vieux_Carre
- https://www.lepetittheatre.com/mission-history.html
- https://www.nola.com/curious_louisiana/new-orleans-le-petit-theatre-ghosts-curious-louisiana/article_13f6b500-25cf-4099-bf8b-a82841efa274.html
ApparitionsCold spotsObject movementPhantom soundsEquipment malfunction
The bride legend centers on the upper windows of the 1790s-era colonial corner structure. According to theater tradition, a young woman in a long white gown threw herself from one of these windows during her own wedding reception. Her figure is reported at the window pane in the evening hours, looking down toward the flagstone courtyard below. Some accounts extend the sighting to the fountain in the courtyard itself, where her reflection has reportedly appeared in the water at night. People who have stood at the spot directly beneath the window have described a sudden and localized drop in temperature.
The theater seats carry their own tradition. Staff and visitors have independently described an elderly man in old-fashioned clothing seated in the auditorium during off-hours — often described as reading a newspaper. When checked, the seat is empty. Theater management has been notified on multiple occasions; the figure is never found.
Technical director John Grimsley provided one of the most specific accounts: a figure in dark colonial-era dress that rushed toward him backstage and passed directly through his body before disappearing. Grimsley confirmed this account to journalists, describing it matter-of-factly as part of the theater's documented history.
An additional figure — sometimes described as a sea captain in a jaunty hat — has been observed in the balcony by stage crew working late. He watches the work, then vanishes when looked at directly.
Backstage accounts include unexplained cold drafts, props and costumes migrating from their designated positions, and smoke machines activating without input. Actors have reported the sensation of cold hands placed on their shoulders as they walk toward the stage.
Notable Entities
The Bride in WhiteThe Gentleman with the NewspaperThe Captain in the BalconyThe Colonial Figure