HauntBound archive · catalog record
Reported phenomena — as catalogued
Where John Dillinger Fell — Now Victory Gardens
2433 N Lincoln Ave, Chicago, IL 60614
Research updated May 2026
Age
All Ages
Cost
$$
Theater ticket prices vary by production; check victorygardens.org for current pricing.
Access
Wheelchair OK
Paved, flat
Equipment
Photos OK
Est. 1914 · Chicago Crime History · FBI History · Architecture · National Register of Historic Places · Chicago Landmark
Samuel N. Crowen designed the Biograph Theater in 1914, giving Lincoln Park a narrow Classical Revival facade that became one of the neighborhood's most recognizable landmarks. The building's functional form — storefront-width lobby, recessed entrance, freestanding ticket booth, canopy marquee — was standard for neighborhood movie houses of the era, but the Biograph's location on a busy commercial strip made it a community anchor for nine decades.
The theater's place in American crime history was fixed on the evening of July 22, 1934. John Dillinger, then the subject of one of the FBI's most intensive manhunts, attended a screening of Manhattan Melodrama with two women: Polly Hamilton and Ana Cumpanas, a Romanian immigrant and brothel keeper who had been feeding his location to federal agents under threat of deportation. When Dillinger emerged from the exit and turned toward the alley, agents led by Melvin Purvis moved to intercept. Dillinger reached for a gun; agents fired. He fell in the alley and died within minutes. Cumpanas wore a red-orange dress that night — accounts describe it as orange or red depending on the light — which earned her the enduring nickname 'The Woman in Red.'
For the next 70 years the Biograph continued as a movie house, outlasting most of its contemporaries through format changes and neighborhood shifts. Chicago's Victory Gardens Theater, which had operated without a permanent home since its founding in 1974, purchased the property in 2004. A comprehensive $11 million renovation completed in fall 2006 gutted and rebuilt the interior around a 299-seat proscenium-thrust stage and a 135-seat second-floor studio, while preserving the 1914 exterior in its near-original condition. The building is listed on the National Register of Historic Places and carries Chicago Landmark designation. Victory Gardens programs new American works; as of 2026 the theater is under new leadership and continuing productions.
Sources
Paranormal reports at the Biograph did not surface immediately after Dillinger's 1934 death. For roughly 40 years, the alley was simply an alley. The stories began circulating in the 1970s, when pedestrians started describing a recurring visual: a translucent blue-gray male figure that exits the theater's former side door, moves toward the alley at a run, falls to the pavement, and disappears. No sound accompanies the apparition in any documented account. Witnesses typically describe it as a residual loop rather than an interactive presence — the figure does not respond to observation.
Separate from the visual reports, a number of people passing the alley after dark have described an abrupt temperature drop or an overwhelming sensation of unease that they attribute, in retrospect, to the location's history. Several accounts note that they were unaware of Dillinger's connection to the site at the time of the experience.
The 'Lady in Red' — a designation applied to Ana Cumpanas after the fact — has generated its own layer of folklore, though no apparitions have been specifically attributed to her. The name lodged itself so thoroughly in popular culture that the alley is sometimes referred to informally as 'Dillinger's Alley.' Ghost tour operators have included the Biograph as a standard Chicago stop since at least the early 2000s, though the building's renovation into a working theater has shifted the focal point of most accounts firmly to the exterior alley rather than the interior.
Notable Entities
Media Appearances
The alley behind 2433 N Lincoln Ave where FBI agents shot John Dillinger on July 22, 1934 is accessible from the street. Multiple Chicago ghost tour operators include this site — US Ghost Adventures runs a Chicago tour that features the Biograph stop, covering the night Dillinger exited the theater with Anna Sage ('The Woman in Red') and met his end 20 feet from the rear exit.
The 1914 Classical Revival facade survives intact above a fully renovated live theater. The 299-seat mainstage occupies what was once the screen house where Dillinger watched his last film, Manhattan Melodrama. Victory Gardens programs new American works; the building's history is acknowledged but not theatricalized.
Some links on this page may earn HauntBound a small commission when you book, at no extra cost to you. Our editorial picks are independent. Full disclosure
This Chicago tour includes Biograph Theater on its route.
Book this tourEvery HauntBound history is researched from documented sources. We clearly separate verified historical fact from paranormal folklore.
Free Guide
12 verified stops, rated for families, mapped in order. Free.
One email to confirm, then the guide link. Unsubscribe anytime.
Cincinnati, OH
Cincinnati Music Hall at 1241 Elm Street opened in 1878, designed in the High Victorian Gothic style. It was built on land that had served as the city's potter's field — a burial ground for the indigent, disease victims, and unidentified dead — used from the 1820s until the cemetery closed around 1857. Bones have been discovered beneath the building in 1927, 1988, and again during the 2016-2017 renovation. The building was designated a National Historic Landmark in 1975.
Joliet, IL
The Rialto Square Theatre opened May 24, 1926, designed by Chicago firm Rapp & Rapp for the six Rubens brothers. Its Neo-Baroque interior — modeled in part on the Hall of Mirrors at Versailles — earned it a place on the American Institute of Architects's '150 Great Places in Illinois' and a listing on the National Register of Historic Places.
Tulsa, OK
Tulsa Theater, formerly known as Brady Theater, is a historic performing arts venue completed in 1914. Designed by the architectural firm Rose and Peterson, the building served as a municipal auditorium and convention hall. It was renamed Tulsa Theater in 2019 after the previous namesake, W. Tate Brady, was revealed to have Ku Klux Klan affiliations.