The 1899 Crescent Apartments building in Midtown where Margaret Mitchell wrote 'Gone with the Wind' between 1925 and 1932 — twice burned by arson in the 1990s and reconstructed as part of the Atlanta History Center.
979 Crescent Avenue NE, Atlanta, GA 30309
Research updated June 2026
Age
All Ages
Cost
$$
Standard museum admission via Atlanta History Center Midtown.
Access
Wheelchair OK
Reconstructed building with elevator access; original entryway tile remains from pre-1994 fabric.
Equipment
Photos OK
Est. 1899 · Margaret Mitchell wrote 'Gone with the Wind' here (1925-1932) · National Register of Historic Places (1996) · Atlanta city landmark (1989) · Twice burned by arson (1994, 1996); reconstructed 1997
Cornelius J. Sheehan built the house at what was then 806 Peachtree Street in 1899 as a single-family Tudor Revival residence. In 1919 it was remodeled and converted into a 10-unit apartment building known as the Crescent Apartments, after the rear Crescent Avenue address. The building is collectively numbered today as 990 Peachtree Street, with its primary museum entrance on Crescent Avenue (979 Crescent Avenue NE).
Margaret Mitchell (1900-1949) and her husband John Marsh occupied Apartment 1 on the ground floor from 1925 to 1932. Mitchell composed the bulk of 'Gone with the Wind' in this apartment, working at a small typewriter. The novel was published in 1936 and won the Pulitzer Prize for Fiction in 1937; the 1939 film adaptation premiered in Atlanta with a gala at the nearby Georgian Terrace Hotel.
The building deteriorated through the late 20th century. In September 1994 the apartment building suffered a substantial arson fire. Restoration was undertaken with $4.5 million from Daimler-Benz Corporation. A second arson fire struck in May 1996, near the restoration's completion, and an additional $2 million in insurance was applied to reconstruction. Only the original entryway tile survived as continuous historical fabric.
The Margaret Mitchell House was rededicated on May 16, 1997. It was listed on the National Register of Historic Places in 1996 and designated an Atlanta city landmark in 1989. It now operates as a centerpiece of the Atlanta History Center's Midtown campus, with exhibitions covering Mitchell's life, the novel's composition, the film's premiere, and the broader debates about 'Gone with the Wind' and its romanticization of antebellum Georgia.
The museum's interpretation has been substantially revised in recent years to foreground the racial critique of Mitchell's work, including the novel's plantation-myth framing and the role the film played in popular Lost Cause narratives.
Sources
The Margaret Mitchell House paranormal lore is unusual in that most of the building was reconstructed after the 1994 and 1996 arson fires, with only the original entryway tile surviving as continuous historical fabric. Lore predating the fires has carried forward into the reconstructed building.
Atlas Obscura, the Atlanta Journal-Constitution's 'Most haunted old houses in Atlanta' coverage, and Book Riot's 'Margaret Mitchell and My (Almost) Literary Ghost Story' all document the same core set of reports.
Janitorial staff working in the building have reported balcony doors that re-open after being locked, lights that turn themselves on, and small objects relocating overnight in Apartment 1 (the unit Mitchell occupied). Reports include the sensation of being watched in the writing room.
A Halloween 1977 third-floor seance — held in the building before its conversion to a museum — reportedly produced contact with what participants identified as Margaret Mitchell's spirit. A later psychic reading is cited in regional press as concluding that Mitchell's spirit remains in the building and 'dislikes being spoken of as deceased.'
Hauntbound notes a key caveat: the 1994 and 1996 fires destroyed nearly all original fabric beyond the entryway tile. Paranormal accounts that depend on the building being a continuously-occupied physical space need to be read with this fact in mind. We classify the paranormal evidence here as medium-strength tour folklore rather than active investigation, and frame Mitchell's possible presence as cultural and literary rather than physical.
The museum's editorial direction emphasizes the racial legacy of 'Gone with the Wind,' and Hauntbound's interpretation follows: the building is significant primarily for what Mitchell wrote here and how that work continues to be debated, not as a thrill-stop haunted attraction.
Notable Entities
Media Appearances
Tour Apartment 1 — the ground-floor unit Margaret Mitchell and her husband John Marsh occupied 1925-1932 while she composed most of 'Gone with the Wind.' The house was built in 1899 by Cornelius J. Sheehan as a single-family Tudor Revival home, converted to the 10-unit Crescent Apartments in 1919, and is now operated as a museum by the Atlanta History Center.
Every HauntBound history is researched from documented sources. We clearly separate verified historical fact from paranormal folklore.
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