Est. 1924 · Classical Revival architecture by Charles W. Bates · National Register of Historic Places (1984) · Downtown Morgantown Historic District
The Metropolitan Theatre opened on July 24, 1924, two and a half years after construction began. Architect Charles W. Bates designed it in the Classical Revival style; the facade carries fluted Ionic pilasters with egg-and-dart detailing, and the building measures roughly 72 by 143 feet. Inside is a single-floor auditorium with a balcony, two ground-floor storefronts, and a basement.
The theatre was added to the National Register of Historic Places on January 12, 1984, and it falls within the Downtown Morgantown Historic District, listed in 1996. For a century it has been a fixture of High Street, and it continues to host live performances, with a present-day capacity of about 1,670.
The theatre's place on the Morgantown ghost tour is tied less to its own walls than to a real and somber chapter of the city's history. In 1970, two West Virginia University freshmen, Mared Malarik and Karen Ferrell, disappeared after a night out downtown while hitchhiking back toward their Evansdale dorms. Their bodies were found months later along an old mining road near Fairmont. A man was later convicted and served decades in prison, though the case has remained the subject of dispute, including questions about the reliability of the confession. The theatre is one of the downtown sites where guides recount this history.
Sources
- https://en.wikipedia.org/wiki/Metropolitan_Theatre_(Morgantown,_West_Virginia)
- https://morgantownmag.com/take-a-walk-through-mysterious-morgantown/
- https://mountaineerexcursions.com/ghost-tours-spooky-date-night/
Sensed presenceUnexplained sounds
On the Morgantown ghost tour, the Metropolitan Theatre serves as one of the downtown stops where guides tell the story of the city's darker history. The most prominent of those stories is the 1970 disappearance of two West Virginia University freshmen, Mared Malarik and Karen Ferrell, who vanished after a night out downtown and whose bodies were found months later near Fairmont.
The case is treated by the tour as Morgantown's defining true-crime story, and the theatre's location in the heart of the downtown the students were last seen in connects it to that narrative. The story is presented with the weight of an unresolved community tragedy rather than as a conventional ghost tale.
The victims were real people, and the account here follows the documented record: a confession and conviction that have since drawn scrutiny, and a case many in the area still consider unsettled. Out of respect, the focus stays on the historical facts rather than on any claim about the victims' spirits. Reports of activity inside the theatre itself are limited and anecdotal, and no documented investigation has established a verified cause.