Est. 1930 · National Register of Historic Places · Spanish-Moorish Architecture · Performing Arts History · Dracula Premiere Venue 1931
The Paramount was built by H.O. Wooten and designed by architect David S. Castle of Abilene, opening on May 19, 1930. The exterior follows Mission/Spanish Revival lines; the interior is Spanish-Moorish with a painted domed ceiling and seating for 1,187. The theater was listed on the National Register of Historic Places (reference no. 82001739).
A notable early event: Universal Pictures chose the Paramount to screen the 1931 horror film Dracula two days before its February 14 national release, making it one of the earliest venues to show what became a landmark of American cinema.
The Paramount operated as a movie house until the late 1970s. Downtown Abilene's commercial decline reduced revenue, and the theater closed in 1979 — its first closure since opening day in 1930. The Abilene Preservation League intervened to prevent demolition. Major restoration began in 1986 with funding from Julia Matthews and the Dodge Jones Foundation; the theater reopened in 1987. By 2019 more than 14,000 people attended film screenings there in a single year, and it continues to host a full calendar of performing arts events.
Sources
- https://en.wikipedia.org/wiki/Paramount_Theatre_(Abilene,_Texas)
- https://www.paramountabilene.com/location
ApparitionsPhantom scents
Three figures have been described repeatedly enough to have become informal fixtures in accounts of the Paramount. The first is an elderly man who smells of cigar smoke and has been seen in the house. The second is a former usher who has been spotted near the basement staircase — at least one firsthand account from a person who visited the theater describes seeing this figure clearly near that location. The third is a woman in white, reported moving through the aisles.
A framed portrait of an unidentified woman that was donated to the theater has been informally called the 'Paramount Ghost' by staff and regular visitors, though no documented history connects the portrait to any particular individual.
The theater operated continuously for nearly fifty years before its 1979 closure, accumulating decades of staff and audience. The Spanish-Moorish interior — painted dome, deep shadows along the aisles, a basement that predates the restoration — provides the physical context for most of the reported encounters.
Notable Entities
Cigar-smoking elderly manFormer usherWoman in white