Est. 1904 · Northern Pacific Railway · Yellowstone Gateway · Sam Peckinpah · Historic Hotel
The Murray Hotel opened in 1904 as the Elite Hotel, built to serve passengers arriving on the Northern Pacific Railway at Livingston, the principal gateway to Yellowstone National Park. The hotel stands at 201 West Park Street, directly opposite the railroad's depot, and was positioned to capture the steady flow of tourists transferring toward the park.
The property became associated with the Murray family, relatives of James E. Murray, who later served as a U.S. Senator from Montana, and it took the Murray name. Originally a two-story building, it was expanded to four floors in the 1920s, reaching 66 rooms at its peak; the hotel today operates with a smaller number of restored suites and rooms.
The Murray accumulated a long roster of notable guests over the twentieth century. Among the best documented is filmmaker Sam Peckinpah, who kept a suite at the hotel for years; the room still carries his name. After periods of decline and renovation, the Murray continues to operate as a full-service historic hotel with a bar and restaurant, anchoring the Park Street historic district alongside the restored Livingston Depot across the street.
Sources
- https://en.wikipedia.org/wiki/The_Murray_Hotel
- https://bozemanmagazine.com/articles/2015/10/01/101920-a-haunted-hotel-over-the-hill
ApparitionsDisembodied gigglingUnexplained moaningFigure at a window
The Murray Hotel's reputation for activity is unusual in that guests seek it out, regularly requesting the rooms known for stories rather than avoiding them. The accounts collected by regional coverage are varied and specific.
One of the most repeated is a young girl, around eleven or twelve, in a white dress, whose giggling is said to have woken a former employee. Another is a woman visible at a second-story window facing Park Street who is gone when anyone looks more closely. In the basement, staff describe an elderly man and woman seen together, along with unexplained moaning sounds sometimes noted when the old Otis elevator is in motion.
The hotel's owner has connected one strand of the lore to a woman remembered in local telling as a mistress of Walter Hill, said to have died young; the woman is not otherwise identified, and the account is presented as story rather than record. The Peckinpah Suite carries its own legend, tied to the filmmaker's long residence there. The reports are folklore drawn from guest and staff experience, and the hotel treats them as part of its character rather than a marketed attraction.
Notable Entities
The Girl in WhiteThe Woman in the Window