Est. 1922 · Designed by Meyer & Holler for Sid Grauman · October 18, 1922: first Hollywood premiere — Robin Hood with Douglas Fairbanks · Egyptian Revival style; opened as Egyptomania peaked · 1994 Northridge earthquake damage; American Cinematheque restoration 1998 · 2020: Netflix acquisition
The Egyptian Theatre was Sid Grauman's second major Hollywood venue, following the Million Dollar Theatre downtown. Grauman partnered with C.E. Toberman on the project, commissioning the architect firm Meyer & Holler to design a theater in the Egyptian Revival style then becoming fashionable in the wake of early press coverage of the Howard Carter excavations. The Tutankhamun discovery was made in November 1922, just weeks after the theater opened — Grauman had correctly anticipated the wave.
The premiere of Robin Hood on October 18, 1922, with Douglas Fairbanks in attendance, established the Hollywood premiere as an event in its own right. The Egyptian's forecourt became the template: searchlights, costumed ushers, crowds behind barriers, photographers. The format Grauman developed here was transferred and amplified when he opened the Chinese Theatre in 1927.
The Egyptian operated as a first-run cinema through the 20th century, surviving the transition from silent film to sound, from black-and-white to color, from single-screen to multiplex competition. The January 1994 Northridge earthquake caused significant structural damage and the theater was closed. The American Cinematheque, a nonprofit film organization, negotiated a long-term lease and undertook a major restoration with public funding. The theater reopened in 1998 and has operated as a repertory and specialty cinema since.
Netflix acquired the theater in 2020 to use as a Los Angeles premiere venue and for its Netflix-branded film events, while the American Cinematheque continued programming.
Sources
- https://en.wikipedia.org/wiki/Grauman%27s_Egyptian_Theatre
- https://atomicredhead.com/2019/08/06/discovering-the-hidden-treasures-of-sid-graumans-egyptian-theatre/
- https://www.americanghostwalks.com/tour/hollywood-ghost-walk
Phantom applause in empty auditoriumUnexplained presence in projection and backstage areasObject movement in technical spacesSense of being watched
The Egyptian's paranormal accounts center on Sid Grauman, who died in 1950 having spent three decades as the impresario of Hollywood's premiere experience. Grauman was known for his involvement in every detail of his theaters' operation — the costumed ushers, the forecourt ceremonies, the personal hosting of opening nights. The accounts that emerged after the 1998 restoration place him in the one space that still reflects his vision most directly.
The primary phenomenon reported is auditory: applause heard in an empty auditorium, or during a screening in spaces where no one is seated. The applause is not described as alarming but as specific — a single set of hands, from a consistent location. American Cinematheque staff have described this phenomenon, and ghost tour operators who include the Egyptian on Hollywood walking routes frame it as Grauman maintaining his role as appreciative host.
A secondary account involves a mischievous entity in the backstage and projection areas — unexplained movement of objects, doors that close without wind, a sense of being watched in the technical spaces. This category of account is common in working theaters and difficult to attribute specifically, but it has been consistent enough since the restoration to be included in Hollywood paranormal documentation.
The renovation's role in surfacing these accounts follows a pattern: the theater was sealed and deteriorating from 1994 to 1998, and the restoration reopened spaces that had been undisturbed for four years. Grauman's own association with the building's original identity gives the first set of accounts — the applause — a coherent, specific character.
Notable Entities
Sid Grauman